by Odette Artiles Allison Kotzig’s oeuvre is raw and untamed, a provocatively tongue-in-cheek opus, and quite beautiful in a primordial sort of way. Her work carries an innate sense of mysticism and […]
La historia de la Revolución Cubana esta llena de expropiaciones y apropiaciones. El grupo Pro-CI (Proyecto Curatorial Independiente) presenta en el Museo de la Revolución con motivo de la XIII Bienal de […]
by Aldo Menéndez The end of World War II concluded the model of separation between the utilitarian poster and the artistic one. A division deeply rooted in the United States began to […]
| by Aldo Menéndez It is very difficult to write about Rubén Rodríguez (Cárdenas, Matanzas, 1959), especially after such an extraordinary critique by Orlando Hernández—surely one of our most comprehensive analysts—published in […]
por Aldo Menéndez. Terminada la Segunda Guerra Mundial el modelo de separación del cartel utilitario, del artístico, división arraigada en Estados Unidos, empieza a adoptarse en todas partes, las características del reclamo […]
by Aldo Menéndez. To write on an exhibition while being its curator, when it comes to a personal repertoire whose author is my quintessential partner in the journey of life, it implies […]
Miami becomes the undisputed center of the art world each December with the arrival of Art Basel. Although Art Basel is undoubtedly a must-see event for any art lover or collector visiting […]
The Adrienne Arsht Center commissions José Bedia José Bedia is one of the most prominent Cuban artists in the contemporary art world. Major influences in his work include the Afro-Cuban religion Palo […]
by Jesús Rosado There is a widespread trend in a certain sector of art criticism to disparage the millennial artistic talent by labeling it as frivolous, egomaniac, and standardized. Nothing could be […]
Vicente Dopico-Lerner was born in Havana and has lived in the United States for most of his life, where he studied at Florida Atlantic University, Florida International University, St. Thomas University and […]
