By Caitlin Dover Strange but true: Robert Mapplethorpe did not start his artistic career as a photographer. “When I was in college, we had to take a photography course and I hated it,” he once […]
by Odette Artiles Allison Kotzig’s oeuvre is raw and untamed, a provocatively tongue-in-cheek opus, and quite beautiful in a primordial sort of way. Her work carries an innate sense of mysticism and […]
La historia de la Revolución Cubana esta llena de expropiaciones y apropiaciones. El grupo Pro-CI (Proyecto Curatorial Independiente) presenta en el Museo de la Revolución con motivo de la XIII Bienal de […]
by Aldo Menéndez The end of World War II concluded the model of separation between the utilitarian poster and the artistic one. A division deeply rooted in the United States began to […]
| by Aldo Menéndez It is very difficult to write about Rubén Rodríguez (Cárdenas, Matanzas, 1959), especially after such an extraordinary critique by Orlando Hernández—surely one of our most comprehensive analysts—published in […]
por Aldo Menéndez. Terminada la Segunda Guerra Mundial el modelo de separación del cartel utilitario, del artístico, división arraigada en Estados Unidos, empieza a adoptarse en todas partes, las características del reclamo […]
by Aldo Menéndez. To write on an exhibition while being its curator, when it comes to a personal repertoire whose author is my quintessential partner in the journey of life, it implies […]
Miami becomes the undisputed center of the art world each December with the arrival of Art Basel. Although Art Basel is undoubtedly a must-see event for any art lover or collector visiting […]
The Adrienne Arsht Center commissions José Bedia José Bedia is one of the most prominent Cuban artists in the contemporary art world. Major influences in his work include the Afro-Cuban religion Palo […]
by Jesús Rosado There is a widespread trend in a certain sector of art criticism to disparage the millennial artistic talent by labeling it as frivolous, egomaniac, and standardized. Nothing could be […]
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