“Visible Ideas” at the MoMA’s Collection gallery is a mesmerizing journey into the world of mid-century Brazilian art, specifically focusing on the Concrete and Neo-Concrete movements. Curated by Inés Katzenstein, with Julia Detchon and Rachel Rosin, this exhibition is a testament to how artists challenged perceptions and redefined the boundaries of artistic expression.

The gallery features eleven captivating works by Hércules Barsotti, alongside one striking piece by Willys de Castro, titled “Poster – poem”. Barsotti, a multifaceted artist known for his contributions to graphic design and painting, showcases his mastery of geometric forms on mathematical principles. His transition from two-dimensional ink drawings to vibrant, shaped canvases reflects an evolution in style and technique. The use of simple shapes and precise geometries in Barsotti’s works not only captivates the eye but also stimulates the mind, inviting viewers to contemplate the interplay between line, form, and space.

Accompanying Barsotti’s works is de Castro’s “Poster – poem,” a testament to his versatility as a visual artist, poet, and designer. De Castro’s involvement in the Neo-Concrete Movement is evident in his exploration of concrete poetry and the integration of visual and textual elements. The poster exemplifies his innovative approach to composition, blurring the lines between poetry and visual art.

The exhibition’s thematic focus on the debate surrounding the visibility of the artist’s hand and the experience of abstract forms resonates throughout the gallery. One of the exhibition’s highlights is the insight it provides into the collaborative spirit of the Brazilian art scene during the mid-20th century. Barsotti and de Castro’s partnership, along with their involvement in founding Estúdio de Projectos Gráficos and Associação de Artes Visuais Novas Tendências, underscores the importance of community and collective exploration in shaping artistic movements.

“Visible Ideas” not only celebrates the legacy of Barsotti and de Castro but also serves as a testament to the enduring relevance of Concrete and Neo-Concrete art. Through their innovative use of form, color, and composition, these artists continue to inspire contemporary audiences and challenge traditional notions of art.

The exhibition is a must-see exhibition for anyone interested in the intersections of art, graphic, mathematics, and visual perception. It offers a captivating glimpse into the vibrant world of mid-century Brazilian art and the enduring legacy of the Concrete and Neo-Concrete movements.

Gallery 421 at MoMA

Cisneros Modern Gift 1997-2016

For more information visit the MoMa

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