
THE ODYSSEY OF PEDRO ÁVILA GENDIS.
Roxana M. Bermejo. I have always considered the interpreting of abstract paintings through figurative tools to be a sterile activity. It results in being a vain exercise in which the viewer tends to equate what is unknown to the familiar. The idea of discovering an algorithm to decipher the forms is as erroneous as the intention to analyze the man behind the brush, outside the … Continue reading THE ODYSSEY OF PEDRO ÁVILA GENDIS.